Norio Maeda & All Stars - Rock Communication "Yagi Bushi"

Year : 2017/1970
Label : Deep Jazz Reality/Teichiku Records

Serie : HMV Project Re:Vinyl

Genre : Jazz, Folk

Style : Fusion, Jazz Rock

"Rock Communication" is a concept fusion album by the piano master of japanese avant-garde (check his album "Revolution") featuring Kiyoshi Sugimoto, Kaoru Iiyoshi & Takeshi Inomata. As similar projects of drummer Akira Ishikawa, "Drum Yagibushi Drum" or saxophonist Kosuke Ichihara's "Now Sound '75" albums Norio Maeda revisits some popular standards of the japanese folk repertoire in the psychedelic rock style. During the late sixties and the early seventies, Norio Maeda collaborated as well as arranger and pianist to various jazz rock albums for eminent japanese jazz musicians among others the saxophonist Jiro Inagaki (This Is Jazz Rock), Akira Ishikawa (Bakishinba - Memories Of Africa) and Takeshi Inomata (Drum Method). 

MUSICIANS : Norio Maeda - piano - Kiyoshi Sugimoto - electric guitar - Mitsuo Murakami - rhythm guitar - Kaoru Iiyoshi - electric piano, Hammond organ - Mihiro Arai & Masahiro Arashi - bass - Koichi Uchida - vibes - Takeshi Inomata & Takahiro Suzuki - drums - Tetsuo Fushimi - trumpet - Shigeo Suzuki - flute, piccolo, clarinet, alto sax

Masabumi Kikuchi Sextet - Matrix

Year : 2015/1969
Label : Deep Jazz Reality/Victor
Serie : Modern Jazz Series
Genre : Jazz
Style : Soul Jazz, Post Bop, Contemporary Jazz, Modal, Spiritual

Recorded in 1969, best known under the 1977 US reissue by Catalyst Records, "Matrix" is the first album as a leader of Masabumi Kikuchi featuring Tetsuo Fushimi & Hideyuki Kikuchi (if one ignores the album duet with Terumasa Hino in 1968). "Matrix" is obviously a masterpiece, released after significant experience years as sideman, close to various Jazz masters, Masabumi conceived it, reciprocally, on the saxophone overtones occurred by Hideyuki Kikuchi alongside Akio Nishimura on tenor. Titles include great variations of jazz standards rearranged with brio by Kikuchi, such as the modal "On A Green Dolphin Street" (based on the 1958 Miles Davis version) or the bossa nova classic "Black Orpheus" composed by Luiz Bonfa, the title track composed by Chick Corea, the Jazz Rock to baroque accents "If I Said The Sky Was Falling" (composed for the TV drama "Matte Masu Wa" by Sadao Watanabe). The album also contains two own Kikuchi's compositions, the ballad "Little Aby" (reminiscent of John Coltrane) and "In Fourth Way".

MUSICIANS : Masabumi Kikuchi - piano - Tetsuo Fushimi - trumpet - Hideyuki Kikuchi - alto saxophone - Akio Nishimura - tenor saxophone - Hironori Takiya - bass - Takahiro Suzuki - drums

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Jiro Inagaki & His Soul Media, Tokyo Cuban Boys - Quad Dimension/Rock'N Latin

Year : 1971
Label : Nippon Columbia
Serie : Master Sonic Series
Genre : Jazz, Latin Jazz
Style : Jazz Rock, Latin Rock

An umpteenth recording jazz rock session performed by Jiro inagaki & His Soul Media featuring Ryo Kawasaki, Takeshi Inomata, backed themselves by the most famous japanese Latin Big Band, the Tokyo Cuban Boys conducted by Tadaaki Misago. Arranged by famous jazz producer Takeo Ogawa, although less interesting than the "Head Rock" album, "Rock'N Latin" leaves however its mark by its originality, and remains a well-made jazz fusion album mixing rock 'n' roll with latin beats including acid organ and guitar distortion. Titles include killer variation of Latin jazz standard "Watermelon Man" by Herbie Hancock and various international pop/rock hits from The Beatles (Hey Jude) to Blood, Sweet And Tears (Spinning Wheel) by Fleetwood Mac (Black Magic Woman) & The Creedence (Proud Mary).

MUSICIANS : Tadaaki Misago - conductor - Jiro Inagaki - tenor saxophone - Ryo Kawasaki - guitar - Yasuo Arakawa - bass - Masaru Imada - organ - Takeshi Inomata - drums - Tetsuo Fushimi - trumpet - Tadayuki Harada - baritone saxophone - Shigeo Suzuki - alto saxophone - Takehisa Suzuki & Shunzo Ohno - trumpet - Takashi Imai & Shigemichi Domoto - trombone

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Akira Ishikawa & The Gentures - Beat Pops / Drum Hits

Year : 1970
Label : Denon
Genre : Jazz, Rock
Style : Jazz Rock, Pop

Originally recorded in 1969, "Beat Pops / Drum Hits" is a cover album of international pop hits from the late sixties, performed by the first incarnation of the Count Buffalos conducted by jazz drummer Akira Ishikawa. Titles include various western popular songs such as "Sugar Sugar" by The Archies, "Come Together" by The Beatles, "Green River" by The Creedance, "Love Me Tonight" by Tom Jones, "Suspicious Minds" by Elvis Presley or the Rolling Stones' classic "Honky Tonk Women". Among others titles include a french song, "Aime Ceux Qui T'aiment" by Danièle Vidal, best known in Japan than in France under "Tenshi No Rakugaki" name. All tracks arranged by Masahiko Aoi.

MUSICIANS : Akira Ishikawa - drums - Takeshi Onodera - percussion - Hiromasa Suzuki - keyboards - Kiyoshi Sugimoto - guitar - Masaoki Terakawa & Isao Eto - bass - Takeru Muraoka - soprano saxophone - Hiroshi Suzuki - trombone - Tetsuo Fushimi - trumpet

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Sadao Watanabe - Sadao Plays Bacharach & Beatles

Year : 1969
Label : Nippon Columbia
Serie : Takt Jazz Series
Genre : Jazz
Style : Pop, Soul Jazz, Jazz Rock,

As title suggests, "Sadao Plays Bacharach & Beatles" is a compilation album of their best known songs. It brings together three studio recordings and six live recordings from the Sadao Watanabe's 1968 performance at Sankei-Hall, Tokyo, featuring Terumasa Hino, Kazuo Yashiro, Yoshiaki Masuo, Hiroshi Suzuki & Yoshio Ikeda. Titles include some famous Burt Bacharach's pop songs (Look Of Love, Walk On By) and from The Beatles, including three tracks from their "Magical Mystery Tour" album, all played in the Soul Jazz/Rock styles. All tracks of the side B are studio recordings whose a over 14 min variation of George Harrison's "Blue Jay Way" including free rock expressions.

MUSICIANS : Sadao Watanabe - alto saxophone, sopranino - Yoshiaki Masuo - guitar- Yoshio Ikeda - bass - Isao Eto - electric bass - Fumio Watanabe - drums - Yuji Imamura - percussion- Kazuo Yashiro - organ, electric piano, hapsicord -  Terumasa Hino & Tetsuo Fushimi - trumpet - Hiroshi Suzuki - trombone - Yasushi Ichihara - baritone trombone

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Takehiro Honda & His Orchestra - What's Going On

Year : 1971
Label : Trio Records
Genre : Jazz
Style : Soul Jazz, Jazz Funk

"What's Going On" is the sixth studio album and the first recorded in the U.S.A. by jazz pianist Takehiro Honda with arranger Teddy Adams, his first incursion in the R&B genre. The Takehiro Honda's orchestra is based on japanese-american line-up featuring Ken Lawson, James Cheek, Kohsuke Mine & Tetsuo Fushimi. "What's Going On" includes iconic funk/soul gems from the Impressions (Check-Out Your Mind), James Brown (Ain't Funky Now), Marvin Gaye (What's Going On), Otis Redding (Dock Of The Bay), jazz covers from Eddie Harris (Sham Time) by the Crusaders (Greasy Spoon) and variation on "Ain't Tell You A Good Way But" composed by Takehiro Honda. All tracks arranged by Terry Adams.

MUSICIANS : Takehiro Honda - organ, piano & electric piano - Teddy Adams - trombone - Ken Lawson - guitar - James Cheek - drums - Tamio Kawabata - bass - Yuji Imamura - congas - Takuji Kusumoto - drums - Kohsuke Mine - alto saxophone - Kazunori Takeda - tenor saxophone - Tetsuo Fushimi, Shuzo Morikawa - trumpet

Hiroshi Suzuki=Masahiko Togashi Quintet - Variation

Year : 1969
Label : Nippon Columbia
Serie : Takt Jazz Series
Genre : Jazz
Style : Modal, Free Jazz, Avant-Garde

Essential jazz album among the influences of the future-jazz quartet Sleep Walker by trombonist Hiroshi Suzuki. "Variation" is a joint project including the legendary jazz drummer Masahiko Togashi featuring pianist Yuji Ohno, saxophonist Jun Suzuki and trumpeter Tetsuo Fushimi. Masahiko Togashi was a major figure alongside Masahiko Sato, Masayuki Takayanagi and Yosuke Yamashita in the blooming of free jazz in Japan in the late sixties whose "Variation" is one of the iconic masterpiece. Masahiko Togashi started in 1957, when he joined the Sadao Watanabe Quartet, which will bring him to play for various legends of Jazz as pianist Toshiko Akiyoshi, Helen Merrill, Masayuki Takayanagi, Yosuke Yamashita or Charlie Mariano and also in jazz big bands such as the famous Toshiyuki Miyama's New Herd. He recorded various free jazz sessions in 1969, with the Masahiko Sato Trio, several solo projects (the first "We Now Create"), and the same year, formed his best known quintet, the J.J. Spirits. Titles include "Castle Cats" selected in the  "Shibuya Jazz Classics - Sleep Walker Collection", compilation released in 2003.

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Tadayuki Harada And His Group - Playboy's Theme

Year : 1968
Label : Nippon Columbia
Serie : Takt Jazz Series
Genre : Jazz, Latin Jazz
Style : Bossa Nova, Pop

Debut album as a leader by saxophonist Tadayuki Harada featuring the complete formation of the West Liners lead by drummer Takeshi Inomata including Hiroshi Okazaki, Norio Maeda and Masaru Imada. Former member of several prestigious japanese jazz formations such as "Sharps & Flats" of Nobuo Hara and The West Liners (from 1957 to 1966), Tadayuki Harada was a session musician in demand, playing for the greatest among pianist Toshiko Akiyoshi, Frank Sinatra, Marlene Dietrich, Helen Merrill, Sammy Davis Jr. or Salina Jones. In the late seventies, he was in groups "Wind Breakers" lead by pianist Norio Maeda and Takeshi Inomata & The Third. Titles include classics of Bossa Nova from Jorge Ben (Chove Chuva), Edu Lobo (For Me), pop covers from Bobby Hebb (Sunny), Burt Bacharach (The Look Of Love), and Jazz standard by Joe Zawinul (Mercy, Mercy, Mercy). All tracks arranged by Norio Maeda.

MUSICIANS : Tadayuki Harada - baritone saxophone - Shigeo Suzuki - alto saxophone - Hiroshi Okazaki - alto saxophone, flute - Ichiro Mimori & Yoichi Kanai - tenor saxophone - Tetsuo Fushimi & Kazutoshi Okubo - trumpet - Tatsuro Takimoto - bass - Sadanori Nakamure_- guitar - Norio Maeda & Masaru Imada - piano - Takeshi Inomata - drums - Yonosuke Segami - percussion

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Akira Ishikawa & The Gentures - Rock, Rock '70

Year : 1970

Label : Denon

Genre : Jazz

Style : Jazz Rock, Funk/Soul

Rock cover album dedicated to the first classics which made the fame of Rock 'N' Roll, recorded by the predecessor band of the Akira Ishikawa's Count Buffalos featuring Shigeru Namuro, Takeru Muraoka, Hiromasa Suzuki, Isao Eto & Masaoki Terakawa. "Rock, Rock '70" is an acid rock variation of the Rock 'N' Roll standards from the late fifties, using reverberation, distortion & others psychedelic effects. Titles include mostly iconic songs from the Elvis Presley's repertoire such as "Heartbreak Hotel", "Don't Be Cruel", "Blue Suede Shoes" or the killer tune "Hound Dog", but also others classics like "Lucille" by Little Richard "Be Bop A Lula", by Gene Vincent or "Sittin' In The Balcony" by Eddie Cochran. All tracks arranged by Masahiko Aoi.

MUSICIANS : Akira Ishikawa - drums - Hiromasa Suzuki - keyboards - Shigeru Namuro - guitar - Masaoki Terakawa & Isao Eto - bass - Takeru Muraoka - soprano saxophone - Hiroshi Suzuki - trombone - Tetsuo Fushimi - trumpet

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Hiroshi Suzuki & His Happy Cats - Up Up And Away

Year : 1969
Label : Nippon Columbia
Serie : Takt Jazz Series
Genre : Jazz
Style : Hard Bop, Soul Jazz

Hiroshi Suzuki, the most famous japanese trombonist, member of legendary quintet "Freedom Unity", in first work as a leader featuring Takeshi Inomata, Tetsuo Fushimi & Shigeo Suzuki. As many young japanese jazz musicians, Hiroshi Suzuki started in Sharps & Flats (conducted by saxophonist Nobuo Hara) and evolved in others big bands like The Tokyo Cuban Boys. Later, he becomes a session trombonist in demand playing as a sideman for trumpeter Terumasa Hino, guitarist Shungo Sawada or pianist Yuji Ohno. From 1968, he stands out on the duet album "Variation" with the Masahiko Togashi Quintet and thereafter joins the super jazz group, The Freedom Unity featuring Akira Ishikawa, Hiromasa Suzuki, Kunimitsu Inaba & Takeru Muraoka. Titles include pop & jazz covers from The Bealtes (The Fool On The Hill, Eleanor Rigby), Burt Bacharach (The Look Of Love), Fifth Dimension (Up Up And Away), Oliver Nelson (125th St. & 7th Avenue). "125th St. & 7th Avenue" was selected by Yasuharu Konishi from Pizzicato Five for his compilation "Midgnight Tokyo").

MUSICIANS : Hiroshi Suzuki - trombone - Shigeo Suzuki - alto saxophone - Ichiro Mimori - tenor saxophone - Shiro Ohno - baritone saxophone - Tetsuo Fushimi - trumpet - Tsuneo Shibata - bass - Shigeaki Ikeno - organ - Takeshi inomata - drums 

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Mr Drum & The Sound Machine - Mr Drum Lowdown

Year : 1971

Label : Nippon Columbia
Genre : Jazz
Style : Jazz Rock, Pop

Under the pseudonym of "Mr. Drum & The Sound Machine", hides the famous japanese drummer Takeshi Inomata and his Sound Limited featuring Norio Maeda, Kimio Mizutani & Shunzo Ohno. "Mr Drum Lowdown" is a progressive jazz rock album including covers following the previous Inomata's works recorded during the early seventies. Titles includes several timeless classics of Pop & Soul Music among "Brown Sugar" (The Rolling Stones), "It's Don't Come Easy" (Ringo Starr), "Rainy Days & Mondays" (The Carpenters), "Never Can Say Goodbye" (The Jackson 5), "Want Ads" (Honey Cone). All tracks arranged by Norio Maeda.

MUSICIANS : Takeshi Inomata - drums - Norio Maeda - organ, piano - Yasuo Arakawa & Jun Suzuki - bass - Sadanori Nakamure & Kimio Mizutani - guitar - Jake H Concepcion - alto saxophone - Shunzo Ohno & Tetsuo Fushimi - trumpet - Osamu Nakajima - percussion

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Jiro Inagaki + Soul Big Media - Jazz & Rock "Out"

Year : 1970
Label : Nippon Columbia
Genre : Jazz
Style : Jazz Rock, Big Band

[Jazz & Rock "Out"] is a recording live at Hibiya Amphitheater performed by an expanded group of the Soul Media band led by saxophonist Jiro Inagaki. From the original quintet to form the Soul Big Media, a brass ensemble is added featuring Tadayuki Harada, Shigeo Suzuki, Shunzo Ohno, Takashi Imai among others. Titles include "The Ground For Peace", taken from the Head Rock album, an variation of the "Head Rock" song called "Yie-Pie", the jazz standard "Freedom Jazz Dance" of Eddie Harris, the traditionnal Negro Spiritual "Oh ! Happy Day", the massive hit from  Blood, Sweat And Tears, "Spinning Wheel", and the classic Soul cover from Talma Motown, "You've Made Me So Very Happy".

MUSICIANS : Jiro Inagaki - tenor saxophone - Ryo Kawasaki - guitar - Yasuo Arakawa - bass - Masaru Imada - organ - Sadakazu Tabata - drums - Tetsuo Fushimi - trumpet - Tadayuki Harada - baritone saxophone - Shigeo Suzuki - alto saxophone - Takehisa Suzuki & Shunzo Ohno - trumpet - Takashi Imai & Shigemichi Domoto - trombone

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Takeshi Inomata & His West Liners - Liner Note

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Year : 1967
Label : Nippon Columbia
Serie : Takt Jazz Series
Genre : Jazz, Latin Jazz
Style : Cool Jazz, Bossa Nova, Afro-Cuban Jazz

"Liner Note" recorded in 1966, is the first original album by Takeshi Inomata released under the Takt Jazz Series of Nippon Columbia label. The West Liners lead by the legendary japanese drummer was originally formed as a sextet in 1957 with pianist/arranger Norio Maeda featuring Masaru Imada (p), bassist Tatsuro Takimoto (b), Sadanori Nakamure (g),  Shigeo Suzuki (as), Ichiro Mimori (ts) and Tetsuo Fushimi (tp). They were recruited as backing band by american songstress Helen Merrill when she was settle in Japan, recording "Helen Merrill In Tokyo" & "Sings Screen Favorites". Among others albums released by the band feature "Modern Top Hits" in 1965, come thereafter, "Paint It Black" in 1966,  "Come Together!" in 1969 and "My Way" in 1971. "Liner Note" is a blend of Jazz & Latin music including jazz standards of Miles Davis, George Gershwin & Herbie Hancock from Cool Jazz (All Blues), Modal (Freddie Freeloader, Cantaloupe Island) to Afro-Cuban Jazz (Afro-Blue), by Samba (La Grita) & Bossa Nova (Meditation, Panteno). All tracks arranged by Takeshi Inomata.

Yoshiaki Masuo - 24

Year : 1970

Label : CBS
Genre : Jazz
Style : Jazz Rock, Psychedelic Rock

The masterpiece of Yoshiaki Masuo is an essential album of japanese progressive jazz featuring Sadao Watanabe, Yoshio Suzuki, Hideo Ichikawa & Motohiko Hino. "24" is the exact age of Masuo in 1970, who explores the music of the Woodstock generation, following the Jimmy Hendrix steps. The album is an incursion in the Rock 'N' Roll genre from Blues Rock (Dirty Mashy Toe) to Folk Rock (Shirley), including original songs by Masuo, the jazz rock anthem "Round Trip : Coming" composed with Sadao, "Uptight" to the free expressions, the jazz ballad "Soft Sadness" and "Corvallis" with Sadao on flute. All tracks arranged by Yoshiaki Masuo.

MUSICIANS : Yoshiaki Masuo - guitar - Hideo Ichikawa - keyboards - Yoshio Suzuki - bass - Motohiko Hino - drums - Hiro Tsunoda - drums, percussions - Sadao Watanabe - flute, percussions - Tetsuo Fushimi - trumpet - Takashi Imai - trombone - Shigemichi Domoto - trombone

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Yuji Ohno & Galaxy - Captain Future (Original Soundtrack)

Year : 1979
Label : Nippon Columbia
Genre : Jazz, Stage & Screen
Style : Jazz Funk, Disco

The legendary japanese soundtrack composed by Yuji Ohno and recorded with the Galaxy band featuring Takao Naoi, Eiji Arai, Takeru Muraoka, Jake H Concepcion and Pepe Anai, all from You & The Explosion Band. Produced in the late seventies, the Space Opera "Captain Future" is a TOEI animated serie in 53 episodes, originally broadcast from november 1978 to december 1979. "Captain Future" is among the first animated serie to be exported outside Japan which knew a worldwide success from France ("Capitaine Flam") to Italy by US. The serie is based on stories written by Edmond Hamilton which were published in the Pulp Magazine from 1940 to 1951. The soundtrack includes deep ambient grooves served by the Korg Synthesizer, Jazz Funk pearls ("Andromeda No Kanata Ni"), Disco beats ("Ijigen No Eden") or Pop songs ("Oira Wa Sabishii Spaceman" feat. Hideyuki Hirano). Titles include also the opening ("Yume No Funanori" feat. Yukihide Takekawa) & ending themes ("Popura-Dōri No Ie" feat. Peeka-Boo), the song "Ok! Captain" feat. Kamishiro Youth Chorus from Sendai.

MUSICIANS : Yuji Ohno - electric piano, Korg synthesizer - Minoru Kuribayashi - organ - Takao Naoi - electric guitar - Kiyoshi Hagiya - electric guitar - Michio Nagaoka - electric bass - Yasushi Ichihara - drums - Pepe Anai - percussion - Takeru Muraoka - tenor saxophone - Jake H Concepcion - alto saxophone - Tetsuo Fushimi - trumpet - Susumu Kazuhara - trumpet - Eiji Arai - trombone - Isao Kaneyama - vibes

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Akira Ishikawa Trio & R&B All Stars - Soul Session Jazz Goes R&B

Year : 1969

Label : Philips
Genre : Jazz
Style : Soul Jazz, Funk/Soul

"Soul Session" is a crossover jazz album recorded by the Akira Ishikawa Trio featuring bassist Masaoki Terakawa and pianist Masahiko Sato, themselves supported by the R&B All Stars including Kiyoshi Sugimoto and Hiromasa Suzuki. Akira Ishikawa takes over some famous massive hits of the western pop music (I Say A Little Prayer, Day Tripper), Funk and R&B standards coming from the kings & queens of Soul such as Otis Redding (...The Dock Of The Bay), Eddie Floyd (Knock On Wood), Sam&Dave (Hold On, I'm Comin') or Aretha Franklin (Chain Of Fools). "Day Tripper", "Mercy, Mercy, Mercy" & "Sunny" are exclusively performed by the Akira Ishikawa Trio. All tracks arranged by Hiromasa Suzuki, Masahiko Sato & Kunihiko Murai.

   

MUSICIANS : Akira Ishikawa - drums - Masaoki Terakawa - bass - Masahiko Sato - piano, electric piano - Hiromasa Suzuki - electric piano - Kiyoshi Sugimoto - guitar - Hiroshi Suzuki - trombone - Tetsuo Fushimi & Koji Hatori - trumpet

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The Soul Medium - Woodstock Generation

Year : 1970
Label : Union
Genre : Jazz
Style : Jazz Rock, Funk/Soul

Behind "The Soul Medium" name hides saxophonist Jiro Inagaki, an iconic figure of the japanese Jazz Rock scene during the late sixties to the early seventies. Jiro is supported by his legendary quintet "Soul Media" under its first incarnation featuring Ryo Kawasaki (g) Yasuo Arakawa (b), Masaru Imada (org), Sadakazu Tabata (ds), with Tetsuo Fushimi & Shunzo Ohno on trumpet in addition. "Woodstock Generation" is a tribute album to the Woodstock Festival including songs performed on the stage by Sly & Family Stone (I Want To Take You Higher), The Who (Summertime Blues) or Ten Years After (Spoonful). Titles include also variations on the "Head Rock" theme, "The Ground For Peace" taken from his first album and original composition of Masahiko Sato "Knick Knack". All tracks arranged by Jiro Inagaki.

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Jiro Inagaki & His Soul Media - Head Rock

Year : 1970
Label : Nippon Columbia
Serie : Takt Jazz Series
Genre : Jazz
Style : Jazz Rock

"Head Rock" is an essential japanese jazz album, an iconic masterpiece recorded by the saxophonist Jiro Inagaki, introducing his legendary first jazz quintet, the "Soul Media" featuring guitarist Ryo Kawasaki (his first professional appearance), Masaru Imada (org), Yasuo Arakawa (eb), Tetsuo Fushimi (tp) and Sadakazu Tabata (ds). Recorded in 1969 for the famous Takt Jazz Series (the japanese 'Blue Note'), "Head Rock" includes all elements of psychedelic music (guitar fuzz effects, reverb, rock drum breaks and acid organ), cover songs from Hal Galper (The Vamp), Willie Dixon (amazing version of blues standard "Spoonful"), originals composed by Ryo Kawasaki (Twenty One), Masaru Imada (High Jack), Yasuo Arakawa (The Ground For Peace) and Jiro (Head Rock). Jiro Inagaki started in 1963, recruited by american jazz songstress Helen Merrill alongside the Takeshi Inomata's West Liners formation for the album "Helen Merrill In Tokyo". From the late sixties to the early seventies, he was one of the main actor of the Japanese Jazz Rock scene, before turn to Jazz Funk music.  

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N.Maeda = J.Inagaki And The All-Stars - This Is Jazz Rock

Year : 1968

Label : Nippon Columbia

Genre : Jazz

Style : Soul Jazz

Norio Maeda (org) in joint project with Jiro Inagaki (ts) and the Columbia All-Stars featuring Kiyoshi Sugimoto (eg), Tatsuro Takimoto (eb), Tetsuo Fushimi (tp), Takeshi Inomata (ds) and Osamu Nakajima (per). Despite the fact that album is titled "Jazz-Rock", is rather a Soul Jazz album, in which Norio Maeda revisits various classics from Jazz to Pop by R&B, including cover songs of The Beatles (Day Tripper, Here, There & Everywhere), The Barkays (Soul Finger), The Temptations (My Girl), John Lee Hooker (Boom Boom) or Herbie Hancock (Watermelon Man). Titles include also two original compositions by Maeda (Snap Shot, Go Go A Go Go), Inagaki (Barock) and the killer track "Pata Pata" by Miriam Makeba. Norio Maeda was a pianist in charge of various experimental jazz projects (Super-Tri-Piano, Revolution), composer of background music for TV shows, films and animated series (Crusher Joe). He was also a sought-after arranger collaborating in particular with Helen Merrill, Takeshi Inomata, Akira Miyazawa, Martha Miyake, the Tokyo-Cuban Boys, Toshiyuki Miyama & His New Herd or Akira Ishikawa's Count Buffalos. He evolved within several jazz formations in groups The West Liners, The Third or with his Wind-Breakers.

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Yuji Ohno - Inugamike No Ichizoku (Original Soundtrack)

Year : 1976
Label : Victor
Genre : Jazz, Stage & Screen
Style :  Jazz Rock, Fusion

Original Soundtrack of the japanese horror/mystery story "Inugamike No Ichizoku" (Inugami Family), outcome from a long tradition of supernatural suspense films directed by Kon Ichikawa, iconic director of movie series based on the detective "Kindaichi" in the seventies. The soundtrack includes various genres from Jazz to Pychedelic Rock, mixed with eastern sounds produced by the biwa (japanese folk guitar), songs inspired by Pink Floyd ("Grudge", "Hatred's Theme"), some tracks with free expressions and Jazz Funk (The Blood Of The Passion, Mask). All tracks are supported by strings ensemble "Minoru Suzuki Group", conducted by Hiroshi Yoshizawa, composed, arranged & performed by Yuji Ohno featuring biwa player Masako Hirayama, Minoru Kuribayashi, Shigeto Ohara from Electro Keyboard Orchestra, Kiyoshi Sugimoto & Takao Naoi from The Count Buffalos.

MUSICIANS : Yuji Ohno, Shigeto Ohara - piano - Minoru Kuribayashi - organ - Tyuei Yoshikawa - accoustic guitar - Akira Okazawa, Kenji Takamizu - bass - Masako Hirayama - biwa - Yasushi Ichihara - drums - Keiji Azami - dulcimer - Masami Nakagawa, Takeshi Shinohara & Yukio Nishizawa - flute - Kiyoshi Sugimoto, Takao Naoi & Ryogo Kanari - guitar - Tadaomi 'Pepe' Anai - percussion - Tetsuo Fushimi - trumpet

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