Toshiyuki Miyama & The New Herd - New Herd

Year : 1974

Label : TBM

Genre : Jazz

Style : Jazz Funk, Big Band, Contemporary Jazz

Recorded straight away after their concert at the Monterey Jazz Festival in 1974, "New Herd" is the ommemorative reproduction of this performance. Played as the same way as the Buddy Rich or Woody Sherman big bands,it includes great jazz covers from Miles Davis (Donna Lee), Chic Corea (La Fiesta) and some japanese musical folk expressions (Furisode, Kappa Shijo). The Toshiyuki Miyama's Big Band's name was probably given in tribute to the legendary "Thundering Herds", formed in the late forties by Woody Sherman. "New Herd" album is a japanese jazz masterpiece which cleverly combining Big Band style with Jazz Funk, in particular on the amazing killer groove song "Sniper's Snooze", sampled by Cut Chemist for "React"'s interlude on "Power Numbers", the third album of Jurassic 5.

THE NEW HERD : Toshiyuki Miyama - conductor - Kiyoshi Takano - piano, electric piano  Kozaburo Yamaki - guitar, arrangements - Masaaki Ito - bass - Isao Yomoda - drums - Koji Suzuki, Atsuo Shirai, Mamoru Mori & Seiji Inoue - reeds - Masamichi Uetaka, Takahide Uchida, Takashi Hayakawa & Teruhiko Kataoka - trombone - Fumio Shirayama, Kazumi Takeda, Shigeru Kamimori & Yoshikazu Kishi - trumpet

Maki Asakawa - Asakawa Maki No Sekai (Maki)

Year : 1970
Label : Express
Genre : Jazz, Folk Rock, Latin Jazz
Style : Pop, Bossa Nova, Avant-Garde

Maki Asakawa was an iconic japanese jazz and blues songstress, lyricist and composer, cantor of japanese counter culture, who recorded over 30 albums between 1970-2010, her first decade being marked by american psychedelia & folk rock music. "Asakawa Maki No Sekai" (The World Of Maki), is an approach of various musical genres mastered by this versatile artist, as well Pop, Jazz, Latin, as Folk & Rock 'N' Roll music. Supported by experienced musicians such as Masaru Imada, Jiro Inagaki & Yokouchi Shoji, she associates compositions of the Jazz arranger  Kozaburo Yamaki to the lyrics of the iconic avant-garde poet, Shuji Terayama. This first Maki's testimony consists in studio & live recordings ranging from Jazz to Bossa Nova, by Acid Folk & Psychedelic Rock, including also some japanese modern folk vocal overtones (Enka). All tracks composed & arranged by Kozaburo Yamaki except "Kamome" by Osamu Kitayama, the New Orleans traditional "Sometimes I Feel Like A Motherless Child" and "Tombe La Neige" by Adamo.

MUSICIANS : Maki Asakawa - vocal - Masaru Imada - organ, piano - Masanaga Harada - bass - Kohsuke Ichihara - flute, saxophone - Jiro Inagaki - saxophone, flute - Yokouchi Shoji & Kozaburo Yamaki - guitar - Chico Kikuchi - drums

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New Herd - Perspective

Year : 1969
Label : Nippon Columbia
Serie : Modern Jazz Series
Genre : Jazz
Style :  Big Band, Modal, Jazz-Rock, Avant-garde

Also presented as Masahiko Sato's work in co-leading alongside saxophonist Toshiyuki Miyama, "Perspective" is an essential album to the forefront of Japanese music, a masterpiece representative of the best japanese jazz productions recorded during the late sixties. The title-track is an original avant-garde composition including free improvisations, written and arranged by Masahiko Sato. "Lazy Lazy" is composed & arranged by pianist Norio Maeda on the modal form with Jazz Rock. Yamaki Kozaburo has composed, meanwhile, the "Furisode Girl", based on far east folklore played also in modal. Titles include also iconic Charlie Mingus' piece "Pithecanthropus Erectus", cover song of The Beatles, "Tomorrows Never Knows" played in the jazz rock style and "Africa" by John Coltrane.

MUSICIANS : Toshiyuki Miyama - leading, alto & soprano saxophone - Hiroshi Takami - alto saxophone - Kosuke Ichihara - tenor saxophone - Shunzo Sunahara - baritone saxophone - Kōji Hatori - trumpet - Seiichi Tokura - trombone - Masahiko Sato & Norio Maeda - piano - Kōzaburō Yamaki - guitar - Masao Kunisada - bass - Sadaichi Tabata - drums

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Minoru Muraoka - Bamboo

Year : 2014/1970
Label : Superfly Records/King Records
Serie : New Emotional Work Series
Genre : Jazz, Folk
Style : Folk, Jazz Rock, Min'yō

Minoru Muraoka was probably the best known shakuhachi player (traditional bamboo flute), with Hozan Yamamoto & Toshiaki Yokota (Sound Limited, The Beat Generation). He was among the first to mix Japanese folk with popular music, playing in particular with Herbie Mann ("Surprises" & "Gagaku And Beyond" in 1976). "Bamboo" is a crossbreeding between jazz, pop and Japanese folk music, recorded with a large ensemble of traditional instruments among shakuhachi, koto, biwa, shamisen and taiko, all performed by the New Dimension Group, featuring percussionists  Hiromitsu & Kisaku Katada (Original Soundtrack From Lupin The 3rd), Masako Hirayama on biwa, Kimiko Yamanouchi on koto. The album is divided in two parts with  first side that showcases the traditional Japanese instruments (in particular the percussions), while the other side opens on Pop/Rock orientation including an other rhythm section, The New Emotions, featuring Akira Ishikawa (ds), Yusuke Higuchi (org), Sadanori Nakamure (eg) & Jun Suzuki (eb). Titles include jazz standard "Take Five" (Paul Desmond), three original compositions with the folk song "Nogamigawa Funauta", his masterpiece "The Positive And Negative" (most sampled Minoru Muraoka's song), the iconic "Soul Bamboo", and various pop cover songs from The Beatles to The Animals by Simon & Gartfunkel.